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Between text and image, east and west: Henri Michaux's signs and Christian Dotremont's 'Logogrammes'


Reference:

Parish, N., 2008. Between text and image, east and west: Henri Michaux's signs and Christian Dotremont's 'Logogrammes'. Review of Literatures of the European Union, 8, pp. 67-80.

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http://www.rilune.org/mono8/ideogrammes_articles.htm

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Abstract

From their material manifestation on the page or canvas, it can be observed that Henri Michaux’s signs and Christian Dotremont’s 'logogrammes' are influenced by ideographic forms and calligraphy. Like many artists and writers, both Michaux and Dotremont were interested in this signifying system, which functions in a radically different manner to the Western alphabetic system. Many practitioners, although mesmerised by the formal aesthetic qualities of the ideogram, had little or no knowledge of how this signifying system actually worked. In this article, the reasons behind Michaux’s and Dotremont’s attraction to the creative possibilities offered by the ideogram and their respective appropriations of it will be analysed.

Details

Item Type Articles
CreatorsParish, N.
Related URLs
URLURL Type
http://www.rilune.org/mono8/8_Parish.pdfFree Full-text
Uncontrolled Keywordsideograms, logogrammes, christian dotremont, henri michaux, signs
DepartmentsFaculty of Humanities & Social Sciences > Politics Languages and International Studies
RefereedYes
StatusPublished
ID Code24791

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