Research

Globalisation and the National Imaginary in Contemporary Argentine and Brazilian Cinema


Reference:

Pinazza, N., 2011. Globalisation and the National Imaginary in Contemporary Argentine and Brazilian Cinema. Thesis (Doctor of Philosophy (PhD)). University of Bath.

Related documents:

[img]
Preview
PDF (Thesis) - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader
Download (2926kB) | Preview

    Abstract

    The thesis aims to uncover some of the many ways in which contemporary Argentine and Brazilian cinema have registered and helped to construct national identity since the mid 1990s, when, after almost collapsing at the height of the debt crisis of the previous two decades of military dictatorship, film production experienced a boom as a result of new film legislation. The transition from dictatorship to democracy and the adoption of the neoliberal economic model were accompanied by the erosion of the nation-state, an increase in international agreements and the formation of regional blocs such as Mercosur. The thesis draws primarily on postcolonial and film theories to show how the socio-political aspects of the transition engendered changes in the ways in which the nation is constructed. The thesis does this through engaging with discourses pertaining to the formation of supra-national communities via case studies of selected films. Among the questions addressed are the following: How have Argentine and Brazilian films negotiated the impact of globalisation on identities? How have cinematic practices and filmic representations in contemporary Argentine and Brazilian cinemas encouraged critical reflection on the countries‟ position in a global system? I construct an argument in Chapters 1, 2, 3, 4 for the continued relevance of a critical focus on the nation in a globalised era in which trends in criticism are set toward a transnational approach. Chapters 5, 6, and 7 explore how films have re-constructed the national in the face of the growing impact of globalised identities, by engaging with supra-national entities such as diasporic, Lusophone, Ibero-American, and regional communities. Contemporary Argentine and Brazilian films are shown to display complex identity-negotiations in a globalised context and, in turn, pose meta-critical questions for filmic (and more general cultural) analysis in a transnational context.

    Details

    Item Type Thesis (Doctor of Philosophy (PhD))
    CreatorsPinazza, N.
    DepartmentsFaculty of Humanities & Social Sciences > Politics Languages and International Studies
    Publisher StatementUnivBath_PhD_2011_N_Pinazza.pdf: © The Author
    StatusPublished
    ID Code31669

    Export

    Actions (login required)

    View Item

    Document Downloads

    More statistics for this item...