Items by Hart, Vaughan
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Hart, V. A., 2015. Forthcoming. London's Standard : Sir Christopher Wren's Heraldic Monument to the Fire of London, The Coat of Arms. Journal of the Heraldry Society
Hart, V., 2014. Forthcoming. British classicism to 1700 and the search for a national architectural style. In: Payne, A., ed. Companion to Early Modern Architecture. Chichester, U. K.: Wiley-Blackwell.
Hart, V., 2014. Forthcoming. Five Building Portraits : Greenwich, Blenheim, St Mary le Strand, All Souls and the Radcliffe Camera. In: van Eck, C., ed. Companion to Architectural Theory and Practice, Landscape Architecture and Urbanism. Chichester: Wiley-Blackwell.
Hart, V., 2013. Book Review of Temple Beauties' : The Entrance-Portico in the Architecture of Great Britain 1630–1850. The Burlington Magazine, April, pp. 261-262.
Hart, V., 2013. A copy of the Oxford edition of Andrea Palladio's L'Antichita di Roma (1709). The Library: Transactions of the Bibliographical Society, 14 (2), pp. 208-212.
Hart, V., 2013. Book Review of Inigo's Stones, Inigo Jones, Royal Marbles and Imperial Power. Society of Architectural Historians of Great Britain Newsletter, 2013 (108), p. 20.
Hart, V., 2013. Book Review of Woolwich. Survey of London : Volume 48. The Burlington Magazine, October, pp. 717-718.
Hart, V., 2012. Book Review of Venice Disputed. Marc' Antonio Barbaro and Venecian Architecture, 1500-1600. European Architectural History Network Newsletter
Hart, V., 2012. Book review of The Eighteenth-Century Church in Britain. Ecclesiological Society, 45, pp. 94-95.
Day, A. and Hart, V., 2007. The architectural guidebook : from Palladio to Pod. Architectural Research Quarterly, 11 (2), pp. 151-158.
Hart, V. and Hicks, P., 2006. Palladio's Rome: a translation of Andrea Palladio's two guidebooks to Rome. London and New Haven: Yale University Press.
Hart, V., Day, A. and Robson, J., 2005. How historians are now using computer technology: investigating spatial effects in architecture and painting. GIM International, 19 (9), pp. 13-15.
Hart, V., 2003. 'Of little or even no importance to the architect': on absent ideals in Serlio's drawings in the Sixth Book, on domestic architecture. In: Palmer, R. and Frangenberg, T., eds. The Rise of the Image: Essays on the History of the Illustrated Art Book. Aldershot: Ashgate, pp. 87-104.
Hart, V., 2003. A Pretty Impudent Countenance: John Vanbrugh's Seaton Delaval. arq: Architectural Research Quarterly, 7, p. 311.
Hart, V. and Tucker, R., 2001. "Immaginacy Set Free": Aristotelian Ethics and Inigo Jones's Banqueting House at Whitehall. Res: Journal of Anthropology and Aesthetics, 39, p. 151.
Hart, V., 2001. Sebastiano Serlio on Architecture: Volume Two: Books VI and VII of 'Tutte l'opere d'architettura et prospetiva'. Vol. 2. London and New Haven: Yale University Press.
Hart, V. and Hicks, P., eds., 1998. Paper Palaces: Rise of the Renaissance Architectural Treatise. London and New Haven: Yale University Press.
Hart, V., Day, A. and Robson, J., 1997. A computer reconstruction of Inigo Jones's Covent Garden Piazza, London, c.1640. Computers and the History of Art, 7 (2), pp. 81-86.
Hart, V. and Day, A., 1995. A computer model of the theatre of Sebastiano Serlio, 1545. Computers and the History of Art, 5 (1), pp. 41-52.