Items by Barron, Michael

Green, E., Barron, M. and Thompson, D., 2011. The effect of scattering surfaces in rectangular concert halls : A scale model analysis. In: 8th International Conference on Auditorium Acoustics 2011, Proceedings of the Institute of Acoustics. Vol. 33. , pp. 83-92.

Dammerud, J. J., Barron, M. and Kahle, E., 2010. Objective assessment of acoustic conditions on concert hall stages – limitations and new strategies. In: International Symposium on Room Acoustics, 2010-08-29 - 2010-08-31, Melbourne.

Dammerud, J. J. and Barron, M., 2010. Attenuation of direct sound and the contributions of early reflections within symphony orchestras. The Journal of the Acoustical Society of America, 128 (4), pp. 1755-1765.

Barron, M., 2009. Auditorium acoustics and architectural design, 2nd edition. Spon Press.

Barron, M., 2009. Then and now - how concert hall design of the 1960s and '70s compares with the present. In: NAG/DAGA 2009 International Conference on Acoustics, 2009-03-23 - 2009-03-26, Rotterdam.

Dammerud, J. J. and Barron, M., 2008. Concert hall stage acoustics from the perspective of performers and physical reality. Proceedings of the Institute of Acoustics, 30 (3), pp. 26-36.

Barron, M., 2008. Raising the roof. Nature, 453 (7197), pp. 859-860.

Barron, M., 2008. Objective assessment of concert hall acoustics. In: Proceedings of the Institute of Acoustics. Vol. 30. , pp. 70-78.

Dammerud, J. J. and Barron, M., 2007. Early subjective and objective studies of concert hall stage conditions for orchestra performance. In: 19th International Congress on Acoustics, 2007-09-01, Madrid.

Barron, M., 2007. Auditorium acoustics a room acoustician's perspective. In: Proceedings of the Institute of Acoustics, 2007-01-01.

Barron, M., 2007. When is a concert hall too quiet? In: Proc. of the 19th International Congress on Acoustics, 2007-01-01, Madrid.

Chiles, S. and Barron, M., 2006. Optimising balcony overhangs. In: Proceedings of the Institute of Acoustics, 2007-01-01.

Barron, M. and Dammerud, J., 2006. Stage acoustics in concert halls - early investigations. Proceedings of the Institute of Acoustics, 28 (2), pp. 1-12.

Barron, M., 2006. The development of concert hall design: a 111 year experience. In: Institute of Acoustics - Spring Conference Futures in Acoustics 2006: Today's Research - Tomorrow's Careers. Vol. 1. , pp. 1-14.

Barron, M., 2005. Using the standard on objective measures for concert auditoria, ISO3382, to give reliable results. Acoustical Science and Technology, 26, 162--169.

Jeon, J. Y. and Barron, M., 2005. Evaluation of stage acoustics in Seoul Arts Center Concert Hall by measuring stage support. Journal of the Acoustical Society of America, 117, 232--239.

Barron, M., 2005. Thoughts on the room acoustic enigma: the state of diffusion. In: Proceedings of the Institute of Acoustics, 2007-01-01.

Chiles, S. and Barron, M., 2004. Sound level distribution and scatter in proportionate spaces. Journal of the Acoustical Society of America, 116, 1585--1595.

Barron, M., 2004. ISO3382 - how good are the acoustics really? In: International Symposium on Room Acoustics: Design and Science 2004, 2004-05-01, Hyogo.

Chiles, S. and Barron, M., 2004. Distribution of reflected sound levels in rooms with diffuse sound fields. In: 18th International Congress on Acoustics, 2004-01-01, Kyoto.

Barron, M., 2004. The current status of spatial impression in concert halls. In: 8th International Congress on Acoustics, 2004-01-01, Kyoto.

Chiles, S. and Barron, M., 2003. Sound level distribution in rooms: is it really the same everywhere? In: Proceedings of the Institute of Acoustics, 2007-01-01.

Barron, M., 2002. The accuracy of acoustic scale modelling at 1:50 scale. In: Institute of Acoustics, 2007-08-31.

Barron, M., 2002. The value of ISO3382 for research and design. In: Institute of Acoustics, 2007-08-31.

Barron, M., 2001. Late lateral energy fractions and the envelopment question in concert halls. Applied Acoustics, 62, 185--202.

Marshall, A. H. and Barron, M., 2001. Spatial responsiveness in concert halls and the origins of spatial impression. Applied Acoustics, 62, 91--108.

Barron, M. and Coleman, S., 2001. Measurements of the absorption by auditorium seating a model study. Journal of Sound and Vibration, 239, 573--587.

Barron, M., 2001. Listener envelopment in concert halls in concert halls and sound from behind. In: Proceedings of the 17th International Congress of Acoustics, 2001-01-01, Rome.

Barron, M., 1999. Spatial Impression and envelopment in concert halls. Proceedings of the Institute of Acoustics, 21 (6), pp. 163-170.

Barron, M. and Coleman, S., 1998. Absorption by seating and audience-whose figures, whose measurement method? In: 16th International Congress on Acoustics and the 135th meeting of the Acoustical Society of America (ICA/ASA `98), 1998-06-20 - 1998-06-26, Seattle.

Barron, M., 1998. Early decay times in the Christchurch and Wellington Concert halls, New Zealand. Journal of the Acoustical Society of America (JASA), 103 (4), pp. 2229-2231.

Barron, M., 1998. Spatial impression as measured in concert and opera auditoria. In: 16th International Congress on Acoustics and the 135th meeting of the Acoustical Society of America (ICA/ASA `98), 1998-06-20 - 1998-06-26, Seattle.

Barron, M., 1998. Three current concert hall design forms and their acoustics. In: Proceedings of the Autumn Meeting of the Acoustical Society of Japan, 1998-01-01, Yonezawa.

Barron, M., 1997. 21 years of acoustic scale model testing. Proceedings of the Institute of Acoustics, 19, pp. 67-80.

Barron, M., 1997. Acoustic Scale Model Testing over 21 Years. Acoustics Bulletin, 22 (3), pp. 5-12.

Barron, M., 1996. Loudness in concert halls. In: Forum Acusticum, 1996-01-01, Antwerp.