Research

Items by Gillespie, David

Up a level
Export as [feed] RSS 1.0 [feed] Atom [feed] RSS 2.0
Group by: Item Type | Date | No Grouping
Jump to: 2016 | 2014 | 2013 | 2012 | 2011 | 2010 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1998 | 1997 | 1996 | 1992 | 1986
Number of items: 38.

2016

Gillespie, D., 2016. Forthcoming. Masculinity, Violence and Power in Modern Russia:Men, Guns and Identity. Routledge. (Routledge Contemporary Russia and Eastern Europe Series)

2014

Gillespie, D., 2014. Mikhail Shveitser's Resurrection:literary adaption as thaw narrative. Evanston, U. S. A.: Northwestern University Press.

2013

Gillespie, D., 2013. Forthcoming. Evgenii Popov:the impotence of literature, the importance of the word. Lampeter, U. K.: Edwin Mellen Press.

2012

Gillespie, D., 2012. Border consciousness in the fictional worlds of Andreï Makine. Journal of Siberian Federal University, Humanities & Social Sciences, 5 (6), pp. 798-811.

2011

Gillespie, D., 2011. Renata Litvinova and French literature. Newcastle: Cambridge Scholars Publishing, pp. 152-163.

2010

Gillespie, D., 2010. Bartavels, Ortolans and Borshch:France and Russia in the fictional worlds of Andreï Makine. Australian Slavonic and East European Studies, 24 (1-2), pp. 1-18.

2008

Gillespie, D., 2008. Sergei Eisenstein and the articulation of masculinity. New Zealand Slavonic Journal, 42, pp. 1-53.

Gillespie, D., 2008. The Italians Are Coming!’ Italy and the ‘Other’ in Soviet Cinema. Basingstoke: Palgrave Macmillan, pp. 47-61. (Studies in Central and Eastern Europe)

Gillespie, D., 2008. They Fought for the Motherland (‘Oni srazhalis’ za rodinu’). Studies in Russian and Soviet Cinema, 2 (3), pp. 351-352.

2007

Gillespie, D., 2007. Kalina krasnaia/Red Guelderbush. London: Wallflower Press, pp. 160-169. (24 Frames)

Gillespie, D., 2007. Moskva slezam ne verit/Moscow Doesn’t Believe in Tears. London: Wallflower Press, pp. 192-201.

2006

Gillespie, D., 2006. Chekhov in the 1970s: Trifonov and Mikhalkov. Essays in Poetics, 31 (Autumn), pp. 130-150.

2005

Gillespie, D., 2005. Defence of the realm: The ‘new’ Russian patriotism on screen. The Journal of Power Institutions in Post-Soviet Societies, 3.

Gillespie, D., 2005. Adapting Foreign Classics: Kozintsev's Shakespeare. Abingdon: RoutledgeCurzon, 75--88.

Gillespie, D., 2005. Confronting Imperialism: The Ambivalence of War in Post-Soviet Film. Manchester: Manchester University Press, pp. 80-93.

2004

Gillespie, D. and Smirnova, E., 2004. Alexander Sokurov and the Russian soul. Studies in European Cinema, 1 (1), pp. 57-65.

Gillespie, D. and Lanin, B. A., 2004. Русская проза в канун постмодернизма. Vserossiiskaia gosudarstvennaia nalogovaia akademiia.

2003

2002

Gillespie, D., 2002. Reconfiguring the past: The return of history in recent Russian film. New Cinemas: Journal of Contemporary Film, 1 (1), pp. 14-23.

2001

Gillespie, D., 2001. The booze and the blues: laughter and the ‘real' world in the work of Sergei Dovlatov. Australian Slavonic and East European Studies, 15 (1-2), pp. 21-37.

2000

Gillespie, D., 2000. Of Human Bondage and Male Bonding: Male Relationships in Recent Russian Film. Manchester: Manchester University Press, pp. 133-143.

Gillespie, D., 2000. Vladimir Sorokin and the Norm. Amsterdam: Harwood Academic Publishers, pp. 299-309.

1998

1997

Gillespie, D., ed., 1997. The Life and Work of Fedor Abramov. Northwestern University Press.

1996

1992

Gillespie, D., 1992. Iurii Trifonov: Unity through Time. Cambridge University Press.

1986

This list was generated on Tue Feb 9 17:59:33 2016 GMT.