Items by Martin, Debbie

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Number of items: 7.


Martin, D., 2013. Childhood, youth and the in-between: the ethics and aesthetics of Lucrecia Martel’s La mujer sin cabeza. Hispanic Research Journal, 14 (2), pp. 144-158.

Martin, D., 2013. Feminine adolescence as uncanny : masculinity, haunting and self-estrangement. Forum for Modern Language Studies, 49 (2), pp. 135-144.


Martin, D. A., 2012. Painting, literature and film in Colombian feminine culture, 1940-2005: of border guards, nomads and women. Woodbridge: Tamesis. (Monografías A)

Martin, D., 2012. Slipping discursive frameworks: gender (and) politics in Colombian women’s documentary. In: Nair, P. and Gutiérrez-Albilla, J., eds. Hispanic and Lusophone women filmmakers: theory, practice and difference. Manchester: Manchester University Press.


Martin, D., 2011. Wholly ambivalent demon-girl: horror, the uncanny and the representation of feminine adolescence in Lucrecia Martel's La niña santa. Journal of Iberian and Latin American Studies, 17 (1), pp. 59-76.

Martin, D., 2011. Childhood and its representational uses: cinematic experience and agency in Víctor Gaviria's La vendedora de rosas. In: Prout, R. and Altenberg, T., eds. Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 268-280.


Martin, D., 2006. Spectatorship, Performance, Resistance: Carlos Marcovich's ¿Quién Diablos Es Juliette? Journal of Latin American Cultural Studies, 15 (3), pp. 341-353.

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