Items by Martin, Debbie

Martin, D., 2013. Forthcoming. Childhood, youth and the in-between: the ethics and aesthetics of Lucrecia Martel’s La mujer sin cabeza. Hispanic Research Journal, 14.

Martin, D., 2013. Forthcoming. Feminine Adolescence as Uncanny: Masculinity, Haunting and Self-Estrangement. Forum for Modern Language Studies

Martin, D. A., 2012. Forthcoming. Painting, Literature and Film in Colombian Feminine Culture 1940-2005: Of Border Guards, Nomads and Women. Woodbridge: Tamesis.

Martin, D., 2012. Forthcoming. Slipping discursive frameworks: gender (and) politics in Colombian women’s documentary. In: Gutiérrez-Albilla, J. and Nair, P., eds. Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Manchester: Manchester University Press.

Martin, D., 2011. Wholly ambivalent demon-girl: horror, the uncanny and the representation of feminine adolescence in Lucrecia Martel's La niña santa. Journal of Iberian and Latin American Studies, 17 (1), pp. 59-76.

Martin, D., 2011. Childhood and its representational uses: cinematic experience and agency in Víctor Gaviria's La vendedora de rosas. In: Prout, R. and Altenberg, T., eds. Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 268-280.

Martin, D., 2009. Paraiso terrenal, mujeres bellas, gente cordial: Gender performances and narratives of modernity in La Sierra. Bulletin of Latin American Research, 28 (3), pp. 381-393.

Martin, D., 2008. Mothers and Nomadic Subjects: Configurations of Identity and Desire in Laura Restrepo's La novia oscura. Modern Language Review (MLR), 103 (1), pp. 113-128.

Martin, D., 2006. Spectatorship, Performance, Resistance: Carlos Marcovich's ¿Quién Diablos Es Juliette? Journal of Latin American Cultural Studies, 15 (3), pp. 341-353.