Research

Items by Everett, Wendy

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Number of items: 25.

Book/s

Everett, W., 2005. European Identity in Cinema (Updated and Revised edition). Exeter, UK and Portland, OR: Intellect.

Everett, W., 2004. Cultures of Exile: Visual Dimensions of Displacement. Vol. 7. New York & Oxford: Berghahn Books.

Everett, W., 2004. Terence Davies. Manchester & New York: Manchester University Press. (British Film Makers)

Everett, W., 2000. The Seeing Century: Film, Vision, and Identity. Amsterdam: Rodopi.

Book Sections

Everett, W., 2007. Dinosaur, Shipwreck or Museum Piece? The unstable identity of European Cinema. In: Demoissier, M., ed. The European Puzzle: The Political Structuring of Cultural Identities at a Time of Transition. Oxford: Berghahn, pp. 102-118.

Everett, W., 2007. Le detail du motif est le movement: les generiques en movement dans l'oeuvre de Terence Davies. In: Cloarec, N., ed. La Lettre au Cinema. Presses Universitaires de Rennes.

Everett, W., 2007. Reframing Adaptation: representing the invisible. In: Welsh, J. and Lev, P., eds. The Literature/Film Reader: Issues of Adaption. USA: Scarecrow Press.

Everett, W., 2006. Leos Carax: Les Amants du Pont Neuf. In: Powrie, P., ed. The Cinema of France. London & New York: Wallflower, 207--215. (24 Frames)

Everett, W., 2005. Distant Voices, Still Lives: Davies and Hollywood Influences. In: McFarlane, B., ed. The Cinema of Britain and Ireland. London & New York: Wallflower, 186--195. (24 Frames)

Everett, W., 2005. Evgenii Tsymbal: Film and Identity. In: Everett, W., ed. Revisiting Space. Space and Place in European Cinema. Oxford: Peter Lang, 345--347. (New Studies in European Cinema)

Everett, W., 2005. Framing the Fingerprints. In: Everett, W., ed. European Identity in Cinema. Bristol, UK & Portland, OR, USA: Intellect, 15--34.

Everett, W., 2005. Introduction to Revisiting Space. In: Everett, W. and Goodbody, A., eds. Revisiting Space. Space and Place in European Cinema. Oxford: Peter Lang, 9--22.

Everett, W., 2005. The Eye of the Inner Ear: Terence Davies and the Space/Time Dimension. In: Everett, W. and Goodbody, A., eds. Revisiting Space. Space and Place in European Cinema. Oxford: Peter Lang, 9--22. (New Studies in European Cinema)

Everett, W., 2004. Between Here and There, Between Then and Now: The Theme of Border Crossings in the Films of Theo Angelopoulos. In: Wagstaff, P., ed. Border Crossings. Oxford: Peter Lang, 55--80.

Everett, W., 2004. Leaving Home: Exile and Displacement in Contemporary European Cinema. In: Everett, W. and Wagstaff, P., eds. Cultures of Exile: Images of Displacement. New York & Oxford: Berghahn, 18--32.

Everett, W., 2003. A Sense of Place: European cinema and the shifting geographies of identity/Il senso di un luogo. Il cinema europeo e le instabili geografie dell'identita. In: Bussi, E. and Leech, P., eds. Schermi della Dispersione: Cinema, Storia e Identità Nazionale. Torino: Lindau, 27--49.

Everett, W., 2003. Ken Loach. In: McFarlane, B., ed. The Encyclopedia of British Film. Methuen/bfi, p. 421.

Everett, W., 2003. Terence Davies. In: McFarlane, B., ed. The Encyclopedia of British Film. Methuen/bfi, p. 170.

Everett, W., 2001. Film. In: Jolly, M., ed. The Encyclopedia of Life Writing. London & Chicago: Fitzroy Dearborn, 323--324.

Everett, W., 2000. From Frame to Frame: Images in Transition. In: Everett, W., ed. The Seeing Century: Film, Vision, and Identity. Amsterdam: Rodopi, 1--18.

Everett, W., 2000. Mapping Iceland or the Identity of Space: Cold Fever. In: Everett, W., ed. The Seeing Century: Film, Vision, and Identity. Amsterdam: Rodopi, 61--73.

Everett, W., 2000. Singing our song: music, memory and myth in contemporary European cinema. In: Holmes, D. and Smith, A., eds. 100 years of European cinema. Entertainment or ideology? Manchester: Manchester University Press, 172--182.

Articles

Everett, W., 2007. Remembering the Future: Terence Davies and the Paradoxes of Time. Film Studies, An International Review, 9, p. 29.

Everett, W., 2005. Fractal films and the architecture of complexity. Studies in European Cinema, 2, 159--171.

Everett, W., 2005. Images on the Move: Reframing the Cinemas of Europe. Screen, 46, 97--105.

This list was generated on Fri Aug 29 15:01:20 2014 IST.