Items by Neve, Brian
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Number of items: 41.
Krutnik, F., Neale, S., Neve, B. and Stanfield, P., eds., 2007. "Un-American Hollywood": Politics and Film in the Blacklist Era. Rutgers University Press.
Neve, B., 2010. Inflation (1943) and the blacklist: the disrupted film career of Cy Endfield. Historical Journal of Film, Radio and Television, 30 (4), pp. 515-528.
Neve, B., 2005. Elia Kazan's first testimony to the House Committee on un-American activities, executive session, 14 January 1952. Historical Journal of Film Radio and Television, 25, pp. 251-272.
Neve, B., 2005. The Hollywood Left: Robert Rossen and Postwar Hollywood. Film Studies, An International Review, 7, 54--65.
Neve, B., 2002. Standing up for Lindsay Anderson (Review article). Cineaste, 28 (1), pp. 60-61.
Neve, B., 2000. Frames of presidential and candidate politics in American films of the 1990s. Javnost/The Public: Journal of the European Institute for Communication and Culture, 7 (2), pp. 19-32.
Neve, B., 1987. The immigrant experience on film: Kazan's America America. Film & History, 17 (3), pp. 62-68.
Neve, B., 1984. The screenwriter and the social problem film, 1936-1938: the case of Robert Rossen at Warner Bros. Film & History, 14 (1), pp. 2-13.
Neve, B., 1977. Bureaucracy and politics in local government: the role of local education officers. Public Administration, Autumn, pp. 291-303.
Conference or Workshop Items
Neve, B., 2013. Morality, politics and self-interest: Framing the Hollywood blacklist. Newcastle upon Tyne: Cambridge Scholars Publishing.
Neve, B., 2011. "Independence" and the "Art film": Baby Doll and After. Middletown, CT, USA: Wesleyan University Press, pp. 75-86.
Neve, B., 2011. "The Picture Man": the cinematic strife of Theodore Roosevelt. New York: Palgrave Macmillan, pp. 65-86. (The evolving American presidency)
Neve, B., 2011. European film culture and the Hollywood blacklist diaspora. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.
Neve, B., 2007. Graham Greene and the Cold War: Cinema's first "The Quiet American". Lanham, Maryland: Scarecrow Press, pp. 235-244.
Neve, B., 2007. Red Hollywood in transition: the case of Robert Rossen. New Brunswick, New Jersey; and London: Rutgers University Press, pp. 184-197.
Neve, B., 2006. HUAC, the Blacklist and the decline of social cinema. Berkeley, U. S. A.: University of California Press, pp. 65-86. (History of the American Cinema)
Neve, B., 2005. A past master of his craft: an interview with Fred Zinnemann. Jackson, Miss.: University of Mississippi Press, pp. 145-156.
Neve, B., 2004. From exile to expatriate: class and genre in Joseph Losey's early British films. Oxford: Peter Lang, pp. 207-224. (European Connections series)
Neve, B., 2003. The personal and the political: Elia Kazan and On the Waterfront. Cambridge: Cambridge University Press, pp. 20-39. (Series on Film)
Neve, B., 2002. Independent cinema and modern Hollywood: pluralism in American cultural politics? Manchester: Manchester University Press, pp. 123-138.
Neve, B., 1981. The 1950s: the case of Elia Kazan and On the Waterfront. Manchester: Manchester University Press, pp. 97-118.